Friday, October 30, 2009

New art gallery hatches in Newark

By Kristyna Barry for the Star-Ledger's Newark Live

July 18, 2008

 

A new art gallery in Newark hosted a fundraiser Thursday night in the downtown area to drum up support for the city's newest gallery.

Jajo Gallery, which plans to open mid-August at 77 Orange St., will serve as more than just a showcase for paintings, but also as a social environment with fresh music and studio spaces for emerging artists.

The word "jajo" is Polish for "egg" and can also mean, "an amusing person or place." Such is the gallery -- a hip place to act as a farm system for unhatched artists in the area.

"People go to galleries because they want to sell art," said Rebecca Jampol, co-founder of Jajo Gallery.

"We want artists chillin', looking at art, drinking coffee, enjoying the social atmosphere. We want the place packed. Not just once a month. We want artists working in there at all times."

Her partner in art, Deana Haggag chimed in, "It's the place to be, not the place to see!"

Haggag and Jampol are both seniors at Rutgers-Newark, who agree that other galleries in the area have not catered to the more than 30,000 college students in Newark.

Joseph Aratow, a real estate broker in Newark, assisted in finding a building for Jajo and echoed similar sentiments about drawing a college crowd.

"It'll be the first time that a business in the downtown really attracts students from Rutgers, New Jersey Institute of Technology, Essex County, and Seton Hall as well as people from Hoboken and Jersey City," he said. "Everyone is really excited with the idea of them coming down here."

"Soon, if you Google 'Newark' and 'art gallery,' theirs will be on top," Aratow said.

This is the buzz around town. Mayor Cory A. Booker said he's pumped to have the new gallery in town, and that the city is becoming again the center for arts, culture and entertainment.

"I'm really excited about it, all over the city we've seen this organic evolution of the arts community--the dynamism is manifesting itself in obvious ways. It's an exciting addition to the growing Newark landscape," Booker said.

Booker added that he wants Newark to be "the silicon valley of social entrepreneurship," in terms of thinking of "creative ways to advance our city and address a lot of the challenges we face and empower the community to succeed."

The founders of Jajo said they intend to keep a close connection to Rutgers and will provide educational programs for high school students in the area.

Jajo Gallery is located adjacent to Newark Bears and Eagles stadium. It formerly served as the bar "Metro Galaxy" and before that, a strip club called, "Buns and It Ain't No Bakery." Renovation is still necessary and remnants remain. "There is purple wallpaper, a disco ball and some hay bales." Haggag said. "I'm surprised there's not a collection of bobble heads somewhere."

When asked why they chose the location in Newark, Haggag said that "Newark has this unearthed art vibe that goes unnoticed in the greater metropolitan area. Every great city needs an art revival in their renaissance, so why not start here?"

And that puts a smile on the face of Stefan Pryor, the city's deputy mayor of economic development.
"One of the signs of the revitalization of the area is the influx of artists," he said, adding that the Broad Street station is one of the areas of the city with "the greatest promises for revitalization."

He said that new businesses may pave the way for shops, restaurants, and create a vibrancy. "Something special about artistic activity arriving," Pryor said, noting that he's a fan of the Rupert Ravens Gallery as well.

In addition to Jajo and Rupert Ravens, other art galleries in Newark include RedSaw, Aljira, and Gallery Aferro. Jampol said she doesn't want to compete, but instead, to stand alone and create something different.

Lowell Craig, the director of the RedSaw gallery on Broad Street, said the only way there would be competition is if both galleries were playing tennis together. "Jajo vs. RedSaw," he said. "That's the only way...we all work together."

Thus far, contributions have come from personal donations within family and close friends. Jampol and Haggag say that despite concerns for "staying afloat" in a shaky economy, they remain hopeful that others will channel their artistic spirit and support their gallery.

"Everyone is a bit creative, they have it in them--whether it's fashion, photography, music, or painting," Haggag said. "We want to tap into every single one of those components of art. If you aren't into art, we have music, and something to offer for everyone."

Lively art scene leads Newark's revival

By: Kristyna Barry for NJ.com's Newark Live

 The arts in Newark are, quite literally, making a scene. And with signs of a renaissance downtown, Newark would like to be known more for its art scene than its crime scenes.
Newark is home to an array of popular art galleries that aim to provide distinctive events, showcase quality art and paint the town red in the process.

Aljira is the one of the oldest major galleries in Newark, with nearly 25 years under its belt.
Founder Victor Davson described the arts as a way to raise the city's profile, to make it a destination and "lend a kind of new sense of what Newark is about."

The nearly $200 million for the construction of the New Jersey Performing Arts Center is money well spent, Davson said, because "it got the attention of people outside of Newark."

He credits former governor Thomas Kean for his dogged efforts to push the arts downtown as well as progress made by the Newark Museum and the Newark Arts Council.

Now, though, Davson says economic times are challenging and resources are scarce -- so much so that galleries must generate programs and resources to avoid dependence on others.

"You can have a fabulous first year and crash and burn the second," he said, adding that the art world is a balanced system. "Trees give off oxygen; we give off carbon monoxide," Davson said. "All part of the same environment."

Open since 1975, the City Without Walls gallery still thrives today as an alternative venue for contemporary art.

The gallery sponsored a program pairing 15 local high school students with professional artists for a semester of collaborative work.

The program also encouraged kids to apply for college, particularly students who "feel disillusioned attempting to apply for art school," said gallery and education director Evonne Davis.

Davis also works alongside Emma Wilcox, a co-director at Gallery Aferro. The artist-run Aferro has a tradition of showcasing local, national and international work.

"Many artist-run spaces want to advance the career of the artist. We take it seriously that we bring the best possible art to Newark," Wilcox said.

Wilcox, who has family connections in Newark, said her goal is "to meet strangers and turn them into regulars."


She recalled a woman whose car broke down in front of the gallery once, and now, the woman frequents shows at Aferro. "It's always people's choices to come back, and luckily, we see a lot of familiar faces," she said.
Red Saw director Lowell Craig also sees a lot of familiar faces at the gallery's monthly shows and events in the neighborhood near the Newark Museum.

Craig said he's always finding ways to bring people to Newark through the arts.

Red Saw held an exhibit for the work of 12 Montclair State University graduate students to convince them that Newark is great place to do art.

Red Saw also features the work of different artists on the brick walls of the nearby restaurant 27 Mix and a Latin cafe on Central Avenue, Mi Gente.

"I like being able to go into a local bar or restaurant and see work of local artists and galleries," said Andrew Rose, a quality manager at DHL who lives on Staten Island.

"That's how I learned that Newark had new and upcoming galleries -- seeing artwork displayed at Mi Gente," Rose said. He said that the emergence of art in Newark shows that the city is not just a 9-to-5 work world.

The owner of Mi Gente said he hangs the art because he wants to give artists recognition and encouragement.

"A line of people look at the art and say, 'Do you have their card? How can I get in touch with the artist?'" said Manny Beovides. "It keeps everyone excited."

At the Kilkenny Ale House down the street, Red Saw plays B-movies every Sunday, including classics such as "Duel" and "The Last Dragon."

Redsaw's Craig echoed similar sentiments as Aljira's Davson, saying NJPAC has done wonders for the city.

"You're driving on the highway, you see a sign that says the arts center and then it makes people think Newark is an arts city," Craig said. "It's great."

People flocking to the year-old Prudential Center also will have a chance to see signs of the town's art influence.

New Jersey Devils owner Jeff Vanderbeek sought the help of Tracie Speca of Sports and the Arts, based out of Los Angeles, to provide quality art for the arena. The works include massive murals of athletes by commissioned artists.

"Jeff said, 'I want to make it a visual experience for the fans,'" said Speca, who is currently working on commissioning art for the new Yankee Stadium.

Speca said she had union workers coming up to her during the installation wanting to discuss the art.
"Art brings emotion to the people, people who might not get out to a museum on a regular basis," she said.

Speca said she's a huge fan of Rupert Ravens Contemporary, which sold some pieces to the arena.
"Going to Rupert Ravens is definitely an adventure," she said. "You're walking in and thrust into
different senses. It's going to make you feel, which art should," Speca said. "No way you can go in there and not have an opinion."

Rupert Ravens is the largest commercial fine arts gallery under one roof in North America, with 33,000 square feet on Market Street, according to Ravens. He says the work he displays is on par with the offerings Chelsea and SoHo.

"I want to show Newark has a tremendous amount of space and culture. I don't want to change the culture, I want to add to it." Ravens said.

"We have kids who come off the street who would never walk into a gallery. They walk into the gallery and say, "I can do this? My ideas are valuable?'"

Ravens said his goal is for artists to say they live, work, show and sell in New Jersey.

"I want to do for the visual arts what NJPAC has done for the performing arts," he said. "We're an international city, the crossroads for the state with highways and trains, and it's time for NJ to realize the powerhouse New Jersey is," Ravens said.



For Robin Taylor, a 26-year-old film director living in the city, the opening of NJPAC was astounding because "it was my foray into anything cultural in Newark."
"Kids here ultimately see any level of success through sports and hip-hop, and the arts are a good way to expose them regularly to something of value," Taylor said.

The Prudential Center was built with the expectation that new businesses would come to the area and stay open later -- creating a safe, enjoyable, 24/7 downtown.

Though it has several bars and restaurants, downtown Newark lacks leisure spaces, social hangouts and dance clubs. Parks aren't welcoming, coffee shops don't stay open late and finding late-night culture outside of your yogurt cup can seem challenging.

The city's newest gallery, Jajo, has designs to be more of a hip hangout than merely a place to stare at art.

Jajo is teaching comic illustration courses every week, hosting yoga every Wednesday night and throwing parties whenever it gets a chance.

"I feel like it's New Year's Eve, this blowout party with art, deejays and dancing," said co-founder Rebecca Jampol at the opening of Jajo in September. "And I think that's how you should feel about an art gallery, something you can't wait to go to."


Kevin Darmanie, a 35-year-old resident artist at Aferro, teaches the comics course at Jajo. Darmanie, who moved to Newark from Trinidad, said being an artist in the city is challenging because of its history. "Good for someone who wants to help it blow up," he said.

Cities such as Jersey City and Hoboken outnumber Newark in galleries, but Darmanie says quality here surpasses quantity elsewhere.

"Newark is an odd city," he continues.

Grim news reports of the city's crime and other problems fail to distinguish the downtown as a safer area, he said.

"The reputation does negatively impact the arts scene," Darmanie said, adding that he heard someone say, "I'm not going to jump into my Mercedes and try to park in Newark."

And to this, Stefan Pryor, deputy mayor for economic development, would say those people are missing out. "Newark is a happening place," he said, citing dramatic improvements in public safety in the past two years.

"The new arena has hosted well over a million visitors and over 100 events, nearly without incident and entirely with good reviews," Pryor said.

"The arts scene is building, infusing energy and life into our city, expanding upon building blocks of NJPAC and the Newark Museum," Pryor said. "And smaller galleries have done a phenomenal job of establishing more vibrancy downtown."

Jill Wickenheisser, a senior at Rutgers-Newark majoring in art history, appreciates being a student here because it challenges her to see what she can get from the city. She has written about events at the Paul Robeson Gallery on campus and has had photographs published in the Newark Metro.

Wickenheisser said her professors encourage students not to be afraid of the city but to embrace it, by assigning projects outside of campus.

"If you go around the city, you see what has potential and what's stopping it," Wickenheisser said.
"When you see big chains on doors it's a message that we don't want to open our doors to one another," she said.

At the Seed Gallery, which opened a year ago, founder Gizem Bacaz said art is the seed of any community.

"I think that in the past if you studied any other community going through rebuilding, such as Boston or Philadelphia, for a lot of these cities, the first step has been art," Bacaz said.

"When you put a lot of creative minds together, it creates a buzz that resonates around the city," she added. "When you put art in a dark city, it brings light."

Tuesday, October 27, 2009

Why I have hope for Newark

Keeping Faith in Newark

By: Kristy Barry

Posted: 12/18/07

In life and love, I've functioned on the premise that "it's okay to be optimistic, you can always cry later."

But when I left small-town Ohio and arrived in Newark, New Jersey to attend Rutgers University, I was crying within the first week. Loathe at first sight.

Yet for the past two years, I've stayed.

For my first year in Newark, I lived in the Robert Treat Hotel near Military Park, a fair-weathered lodge for the homeless--a place where benches become beds and one schizophrenic yells at his seemingly imaginary wife "Debbie."

There was a stabbing in the park involving a man who ran into my building screaming that he had AIDS and hepatitis while flinging blood about like he was Jackson Pollock and the lobby was his canvas.

Optimism took another hit when a man lurched at me with a pair of scissors tucked in his coat sleeve and threatened to "shoot" me with his coupon-cutting weapon. I had a fourth of a nerve to explain the logistical impossibility of shooting someone with scissors, but kept walking.

Vagrants hustle me for change and syringes, some beer billboards are printed in Spanish, and posters were plastered about promoting the Gun Buy Back Program. Dollar stores and fried chicken abound, so many churches yet so much crime. I can't find a grocery in walking distance but if I need a wig, I'm in business.

When my sister Katie and I were storytelling about the city, one student said she saw a man walking around with a yo-yo wrapped around his ear. "And once," she said, "I saw a pimp and his whore get in a fight because he said, 'bitch, you owe me five bucks' and she's like, 'well, you're gonna have to beat it out of me,' and so he did."

Now, I know you can't compare corn fields to concrete jungles and Ohio has its own reputation. The ignorance of some citizens hits you so hard you swear you're witness to some kind of sick skit.

"I don't need to visit New York City," a man told me once. "'Cause I already been to Buffalo." According to this deer-hunter, Manhattan only harbors homos and terrorists, and he needed not look further than Niagara Falls. There is intelligent life in Ohio, surely, but the rifle-toting ignoramuses seem to float to the surface faster.

And Newark has its share of interesting individuals. There are the men walking around late at night with lampshades on their head, trying to sell me a canister of oats, a hair straightener and a box fan out of a garbage bag.

Some women give me their sad sob stories and some men tell me they've been in prison since I was born, just got out, and need a place to stay. I've learned about the 1967 riots in this city, how Newark got in a boxing match with itself and lost big time.

And it boils down to a city and its residents trying to manage, when life gives them shit sandwiches. Keeping the faith is easier said than done.

But one morning, as I walked through Military Park with my sister, we passed up blood stains on the sidewalk and cardboard cots to then suddenly stop and stare at the cityscape. An October sky glowing on the Prudential building, the New Jersey Performing Arts Center, and the tree lights of the park.

"Ya know, Newark doesn't look so bad when you just look up," she said.

A vagrant growled on the ground and we started running. Apparently, this was the equivalent of telling an angry, ugly fat woman that she looks better with the lights off.

But once I was able to pick my head up, I could really see the lights.

Life is comfortable in Ohio because among many things, you can leave your doors unlocked, live cheaply, and see the stars at night. Neighbors are your greatest allies, sports are sacred, and often times it's so quiet all you can hear are crickets.

But staying in Ohio would be like playing the original Super Mario Brothers video game. Sure it's simple and fun, but I wouldn't know about other worlds with flying dinosaurs, exotic jungle fruit, and challenging landscapes. Despite the dungeons and fireballs of Newark, my side of the city is my town.

I can always go back, but I think I'll stay until I need to conquer a different level. What's the worst that could happen? I can always cry later.

© Copyright 2009 Observer

Day with Vivian at Central Diner

"You Got It, Sweetie"

By Kristy Barry

She flirts with the boys and makes a run for rye toast. Her laugh is a staple in the diner as well as her distinctive response of "You got it, sweetie" when a customer asks for something.

Vivian waitresses at the Central Diner in downtown Newark, six days a week from 6 a.m. until 4 p.m. She goes home after work to take care of her 90-year-old grandmother with dementia.

Yet Central Diner is also a social hangout for Vivian, a chance to meet new people with stories to tell. "I can tell you everyone's life story. Sometimes I just say ‘Good morning,' and here it comes," she says. "Maybe I'm a good listener."

She has soft black skin, a round frame and a pen stuck in the middle of her hair bun.

She scoots off for a chicken sandwich at the counter. I ask her what she does with difficult customers. "I have nice customers, and if they aren't nice I give 'em to Donna!"

("I heard that," says Donna.)

Vivian knows how to make people feel at home at Central. She has four children, and she's used to balancing a lot of plates with a side of cottage cheese.

Last year, her youngest son was hit by a car and shot in the throat playing basketball on a street court. "If he didn't turn his head, he'd be shot in the back of his head," she says, shaking her own head.

"More coffee, guys?" Viv says, not allowing the conversation to droop. The college student in the booth says, "You know you make everyone come here, right?"
"Aw, bless you, baby."

When she was little, she didn't dream of pouring coffee and taking orders. She says she wanted to be an accountant because she loves numbers. "Then, I fell in love—and out!" she says, referring to her marriage of 25 years that took a dive when her husband suddenly jumped ship.

"My life took a little twist in a wrong direction, and the only good thing that came out were my children. I don't regret that, although I could sell them out for a couple hundred," she cracks, throwing an elbow.

She jokes about money because one of her struggles is remaining self-sufficient after being married so long. Her son needed two operations, but her waitressing job doesn't offer health insurance. She had to resort to charity care.

A few months ago the doctors told her she had congestive heart failure. "If you don't give your body any rest, it'll conk out on you. I came home, was talking to my grandma and couldn't talk all of the sudden. Next thing I know I passed out. Nothing felt wrong."

She woke up with a breathing tube in her mouth and thought it was a chicken bone lodged in her throat. "I could smell the chicken," Vivian said, poking fun at herself.

She lives on South 12th Street in Newark in a building in dire need of repair, she says. She'd like to save money to move out of there but has a lot on her plate.

"My family keeps me goin', especially my grandma because I know she really needs me. I bring her snacks. I'll be really lonely when she's gone. I've been with her since I was two." They've cooked together, shopped together and played Bingo together.

Donna starts complaining to Vivian about a guy at the front counter who is "degrading her like a dog."

Vivian comes to the rescue, and from the back you can hear her charming the crotchety man who was ruffling Donna's feathers. "What can I get you, sweetie?"

When asked about her love life, Vivian responds by saying, "Love life? What is that? Put this in the paper, maybe I'll get lucky." Vivian said that her love life is the Lifetime channel, and the remote is her man. "Sometimes I miss that, the closeness. But it ain't over yet. I'm still in there."

Vivian strolls back and sits down in the booth. She pauses, then says she'd like to start dating again. She just needs to get some things straightened out in her life.

"I'll have to move to another state! Always wanted to move to Seattle—far away from everybody. Heck, I probably won't go nowhere."

She stands up and walks up to another table and takes their order instead.
Kristy Barry is the executive editor of the Observer, the student newspaper of Rutgers-Newark. Posted January 2008

REPRINTED FROM THE NEWARK METRO

Newark Riots Commission

Talk of the town

Folks gather for reflection on Newark riots, Lilley Commission

By: Kristy Barry

Posted: 11/6/07

"We Should Have Listened" was the apt title of the event, a panel discussion of surviving members of the Governor's Select Commission on Civil Disorders which studied the 1967 riots in Newark, which killed 26 people and cost the city $10 million in damages.

"The ball was dropped," said Dr. Julia Miller, a research associate. "And we're faced with that today."

The event, which took place Oct. 30 at the Newark Museum, was hosted by the Rutgers Institute of Ethnicity, Culture, and the Modern Experience. The discussion marked the first time the commission convened since Feb. 1968. Ronald Smothers, a former reporter for the New York Times, moderated the event.

John J. Gibbons, a commission member, recalled he was vacationing in British Columbia when the riots broke out and when he flew into Newark, he saw the city burning and had no idea what was wrong. It wasn't until he got on the ground did he say he realized the "personal trauma" involved.

At the same time, Miller said health conditions in the city were "deplorable," that birds and bats flew freely around the hospital at the University of Medicine and Dentistry of New Jersey. There weren't enough doctors, linens, or curtains and the hospital board was run by the city government, she said. Miller said people wanted to come in from surrounding areas but the city was deemed "too dangerous."

When asked how race relations were impacted with the 1970 election of Ken Gibson, the city's first black mayor, Miller said the black community was "hopeful" but Smothers said Gibson was used as a "posterboy for urban problems."

Jennie Brown, a research associate for the commission, said that Newark still grapples with very important issues such as unemployment, crime, education, and healthcare as well as taking care of its weakest residents.

"There are hundreds of people in this city who are very fragile, out of hope, glad to wake up in the morning," Brown said, adding that the city needs to create a "sound group of people."

Miller added, "We need a sense of community again."

Max Herman, a sociology professor at Rutgers-Newark, has studied riots extensively in Newark, Los Angeles, Miami, Detroit and Chicago. He said there are a myriad of cities that never fully rebounded from riots and with cities such as Buffalo, Milwaukee, and Cleveland, the riots just "pushed the cities over the edge."

"What's worse for Newark is an image problem," Herman said. "Cleveland was successful in revamping its image. People think Rock and Roll Hall of Fame, cool. Detroit is still Motor City, cool."

But with Newark, he says, the riots and the airport became the city's identity but "image doesn't conform to reality."
© Copyright 2009 Observer

Muslim Student Films Popular YouTube Video

YouTubular!

R-N student performs in video "I am a Muslim," addresses stereotypes

By: Kristy Barry

Posted: 12/18/07

"I'm not a terrorist. I'm not a date merchant. I don't live in a tent, or keep my wife zipped up in it all day."

These are the words of a Rutgers-Newark student, Mustafa Gatollari, in a YouTube video dispelling stereotypes about Muslims and the religion of Islam.

The video, entitled "I am a Muslim," has received nearly 1.3 million hits as well as over 58,000 user comments on YouTube.

Gatollari, a senior English major at R-N, performs a two-minute monologue in front of a brown cloth backdrop. The video included basic animations, such as a cartoonish cab zooming across the screen when he says, "I've never worked at a gas station or driven a taxi cab."

Gatollari said that the idea for the video came from his friend, Yasir Sahmy, who saw the Molson Canadian beer commercial consisting of the slogan, "I am Canadian."

Gatollari said that Sahmy suggested somebody did the same thing with Muslims. Sahmy, who's currently in Egypt studying to be a sheik, asked him to write a script and they went from there. The video spawned parodies such as "I am a Christian," "I am an atheist," and "I am a redneck," among others.

Gatollari, who has theatre experience, said he has only watched the video once and that he's not fazed by the number of people who have seen the video.

"A million hits probably came from my mom and dad. [The amount of hits] feels kinda cool but then again, it's YouTube and anyone can put up a video," he said.

He cited such silly videos such as "My New Haircut" and "Numa Numa" as proof that millions of video hits doesn't necessarily indicate quality or substance, but he's pleased to spread his message.

"I'm proud if I could change someone's mind about Islam, not really change, but help people understand Islam," Gatollari said.

He said that Islam is negatively portrayed in the media, that the culture and the religion are not defined by horrific violence.

As for Gatollari using the name "Muhammad" for the video, he said he wanted to use a character name, an archetypal Islam name instead of Mustafa.

"I want to keep on doing videos like this, something that people will remember for a long period of time," he said.

From the over 58,000 comments, Gatollari said he expects ignorant or inane comments. He gave an example of someone who watches a Beatles video and writes, "Beatles suck! They don't even know how to play their instruments."

For the more intense criticisms on Islam and Muslims, Gatollari said he was "disheartened to see that people still latch onto these negative stereotypes."

He also shared another example of someone who left a comment in response to him saying that "the Qur'an is the greatest book ever." The user, he said, retorted by writing, "I guess you didn't read the Lord of the Rings trilogy."

The video, filmed in September, was created by the Muslim American Society which is a religious, social, non-profit organization that promotes Islam.

The director of MAS Youth New Jersey and R-N alum ('05), Zaied Abbassi, said he oversaw the filming and was pleased with the outcome.

"I thought it served the goal and objectives we wanted to achieve in a light-hearted and fun manner."

He said there were people who loved the video, those who hated it, and those who were on the fence and encouraged an open an honest debate about the subject.

Gatollari said the Muslim American society isn't just a group that preaches.

"For me it's just a reason not to forget, to do my Islamic work, to help people," he said.

Maged Ibrahim, a sophomore finance major at R-N, said he thought the video was funny as well as truthful and people should strive to live in peace.

"We are living together so let us live our lives in peace and harmony," he said. "We are all equals in all religions and cultures."

In a poignant moment of the video, an American flag sways across the screen as Gatollari says, "I would go back to my own country, but I'm already in it."
© Copyright 2009 Observer

Opening Night at Pru Center in Newark

Bon Jovi rocks "The Rock" to a packed house on opening night in Newark

By: Kristy Barry

Posted: 10/30/07

"This is the house Newark built," said Mayor Cory Booker at the ribbon- cutting ceremony for the Prudential Center on Oct. 25.

He opened his statements by hailing the "dogged determination" of his predecessor, Sharpe James who was a major force in bringing the arena to fruition. Booker, who wasn't originally in favor of the arena, has since changed his tune.

"It's not the critic who counts…it's the man in the arena," he said, adding that no great feat is achieved without error.

Sgt. Hector Corchado said that he, like James, supported the arena from day one and felt vindicated during Booker's speech. "I couldn't have said it better."

Jeff Vanderbeek, president of the New Jersey Devils, thanked elected officials, construction workers, and his family for their hard work, patience, and dedication. Vanderbeek had a hand in the ribbon-cutting with Booker and Business Administration Bo Kemp, among other officials.

Governor Jon Corzine said the arena was a "milestone in Newark's Renaissance," and praised the vision and the leadership of the arena.

High hopes for Newark are hinged on the arena which Booker said could "fuel a resurgence" for New Jersey's largest city, desperately in need of "economic dynamism."

"It's a great addition," said Julien Neals, chief justice of Newark. "It'll help to bring culture back to Newark to make it the cultural Mecca again, that it once was."

Corzine said he's anticipating attending New Jersey Devils hockey games and "looking for a few championships."

"This is a championship moment," he said.



Newark Sets The Stage for Downtown Revitalization

"I am the Jersey devil and this is my new home," Bon Jovi said on-stage on Opening Night at the Prudential Center on Oct. 25.

The $375 million arena, which seats nearly 20,000 concert-goers, will host Bon Jovi for ten concerts and be the new home for the New Jersey Devils hockey team.

The Prudential Center was projected to bring 100,000 visitors to Newark in the first week and 500,000 in the first month.

But some questioned the saying "If you build it, they will come."

William Agrait, an attorney in Newark, said he bought mid-floor level seats roughly three hours before the arena opened to the public. "I guess I'm lucky."

Karen Rodriguez, a child support hearing officer in Newark, said "parking was chaotic with cars everywhere."

The self-proclaimed die-hard Bon Jovi fan said she checked out the arena website before the show to find restaurants in Newark, but that phone numbers were "off the wall" and the other information was very limited.

"But," she said looking around the interior of the arena, "the energy tonight is interesting."

"Yeah," chimed in Rodriguez's friend, Maria Mancuso of Trenton. "This is really exciting for a local band to be here."

Despite the buzz, concerns over crime in Newark were ever-present in the city struggling with staggering homicide rates and a tainted overall reputation.

Police Director Garry McCarthy said that Newark has a downtown task force of 24 police officers who patrol the Prudential Center during events.

He said the arena will bring in commerce, spur more development in Newark and the revenue and jobs created "will bring funding so we can be better at what we do."

McCarthy said he recognizes that for college students, the city shuts down in the early evening and thinks the new arena will assist in making the downtown safer and more inviting after-hours.

Carla Katz, a union president in New Jersey, echoed similar sentiments saying the arena could help revitalize Newark. "It's obvious our urban centers need a boost."
© Copyright 2009 Observer